WOODY ALLEN'S TAKE ON LIFE

YOU WILL MET A TALL DARK STRANGER
Written and directed by Woody Allen
113 minutes ( R)
Starring: Antonio Banderas (Greg) Josh Brolin (Roy), Anthony Hopkins (Alfie) Gemma Jones (Helena) & Naomi Watts (Sally)


Each morning when I open my eyes I say to myself:
I, not events, have the power to make me happy or unhappy today.
Groucho Marx
YOU WILL MEET A TALL DARK STRANGER is about a lot of frustrated, insecure people chasing the dreams they believe will make them happy. The film is set in London and is wonderfully presented with a tongue–in–cheek narrator and scenes that highlight the ridiculous, the extreme, the illogical impulses that make us do the things we do. It is about aging and the unavoidable sense that we missed out on something but know not what; it is about a marriage that isn’t what it was meant to be and the fear too many of us have of being alone, being poor, being without. The story, if you can call this series of cameos a story, reflects Allen’s belief that most people are dysfunctional and grasp at fantasy to come to terms with their reality. He doesn’t believe that the so-called golden years are gold at all. “You don't gain any wisdom as the years go by. You fall apart, is what happens,” says Woody Allen. “People try and put a nice varnish on it, and say, well, you mellow. You come to understand life and accept things. But you'd trade all of that for being 35 again. I've experienced that thing where you wake up in the middle of the night and you start to think about your own mortality and envision it, and it gives you a little shiver. That's what happens to Anthony Hopkins (Alfie) at the beginning of YOU WILL MEET A TALL DARK STRANGER and from then on in, he did not want to hear from his more realistic wife (Gemma Jones) , "Oh, you can't keep doing that - you're not young anymore." Yes, she's right, but nobody wants to hear that.”
The multi-faceted and very slender plot line follows two married couples, Alfie and Helena, both on in years and their lovely ambitious, talented daughter Sally who is supporting her romantic dreamer of a husband, Roy instead of opening her own art gallery or getting some satisfaction from her relationship with him. Roy wrote one successful novel but cannot seem to duplicate his success and is so petrified of defeat that he does indeed fail. Alfie is determined to recapture his lost youth and does so by sprucing up his image and marrying a former prostitute who is as shallow as a puddle on a dry day. Roy attempts to find love with a woman he sees playing the guitar in the flat across the way (Freida Pinto) and Helena tries to find meaning without the husband she dedicated her life to nurturing by going to a fortune teller, Sally recommends. Helena consoles herself in daily doses of alcohol and becomes convinced that she had lived before and will have a new life after this one is over. She even goes to a medium with her new “boyfriend” to ask his dead wife’s permission to continue their relationship. Every character in the story is desperate to find some meaning in the existence that traps them. They grasp fruitless dead ends, creating false hopes that lead them nowhere.
Allen exaggerates each encounter so that every character appears ridiculous, empty and immature. He encapsulates the message of this film when he says, “I am operating within a nightmarish context that life itself is a cruel, meaningless, terrible kind of thing. God forbid the people who have bad luck, or even neutral luck, because even the luckiest, the most beautiful and brilliant, what have they got? A minuscule, meaningless life span in the grand scheme of things.”
Robin Weigel, a writer and a student of humanity, observed that the common theme that defines the characters in the film is that other people are leading the lives they themselves deserve. “They all thought ‘The Grass Is Always Greener On The Other
Side’ “, he says. “In some cases, literally, as with the mother, who knew she's going to live again (that other side!), and Josh Brolin's character, (Roy) who saw into the other woman's window on that other side and thought IT was better.”
The film ends with all the characters in worse shape than they were in the beginning despite heroic efforts to better their situations. No matter what absurd and illogical steps each took to remedy the lacks in their lives, they are still left dealing with defeat on every level.
YOU WILL MEET A TALL DARK STRANGER is a fascinating and very funny film, but it leaves the viewer with a sour taste. There is no resolution and perhaps that is the way Allen believes life is. We go on and on and never do find the answer to anything until we die and then it’s too late. The sense of futility reflected in the film is typical of the way Allen has lived his own life, wanting what he doesn’t have and acting inappropriately to get pleasure that once attained is hollow, after all. We are not guided by moral principle but ruled by our passions. “The heart wants what it wants,” says Allen. There’s no logic to those things. You meet someone and you fall in love and that’s that.”

Have we so little control over the events we let into our lives? Perhaps. And then again, perhaps not.
We tend to forget that happiness doesn’t come as a result of
getting something we don’t have, but rather
of recognizing and appreciating what we do have.
Frederick Keonig